MS Raju’s Dirty Hari is a strange film, a cautionary tale that draws and drives you at the same time. At the end of all of this, on the one hand, you can help with the clever application of Chekhov’s gun, but on the other hand, you might wonder why this film was not made with better actors or treatment. Erotic thriller is a genre that some filmmakers get right; MS Raju also almost goes on track but manages to save the film over time.
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Dirty Hari (Shravan Reddy) is a chess player who travels to Hyderabad in hopes of making it big. He gets angry and says ‘Chana’ and lusts after two women whom he hates and compares him to a full meal and a dessert. His wife Vasudha (Ruhani Sharma) is a painter, a ‘good’ girl-next-door who wears a purse and acts as a charity. She is desperate to get pregnant and she wants him because she is rich. Jasmine (Simrat Kaur) is the girlfriend of her friend Akash, an upcoming actress and model who wants to catch a break. She is the quintessential girl bold girl, who says that f * CK will wear a lot more cleavage-bearing outfits. He wants her … because it’s not hard to guess. When Hari associates Jasmine with him, all hell breaks loose.
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Dirty Hari spends a lot of time establishing Hari’s character, as he is constantly greedy for more money, women, and status. And love-making scenes are given in any film of this genre, but the fact that a male gaze is treated makes it almost an affection fest. And when the lines, “She loves someone, she got f * cked up by someone else,” or “Oka full meal Traviata sweet kavali unipistundi, Naku al dorkindi e sweety,” or “manki pillu putdaniki they got the problem. Taking the lead, Inconchem Dhyanamagnam “is delivered with straight faces and emotions, it makes you wonder why you are watching this film.
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However, when Hari puts himself in a corner and the women realize that they are anything, but once again anything happens. And once their claws are out, there is no going back. By the end of the film, there is no spoiler to tell that he is getting what is coming at him, but the journey to that stage is cliche-ride and predictable. The performances of Shravan Reddy and Simrat Kaur are inconsistent and short in some scenes, requiring them to complete it. Rouhani Sharma redefined her role and pulled it off the carpet, from aces. Mark’s Robin’s music and Baldrady’s cinematography add to the story
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