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The Kaagaz’s # story begins with Bharat Lal (Pankaj Tripathi) who is the band master. It has its own shop, the world number 77. People have limited desires and limited resources, they are happy in it too. But where is someone’s wife satisfied with one’s limited income. Bharat’s wife Rukmani (Monal Gajjar) suggests giving him a loan to get a big shop.
When you go for a loan, it is known that you will have to pay some mortgage to get there. When Bharata goes to Lekhpal to get his ancestral land papers, it is revealed that Lekhpal had bribed his uncle and declared him dead. It is here that the eighteen-year-long struggle ensues, in which Sadhuram Kewat (Satish Kaushik) becomes the lawyer of Bharat Lal ‘deceased’ and Bharat Lal loses his remaining deposited capital on lawyers.
Satish Kaushik has balanced #Direction a lot. The film does not become a burden anywhere, becomes a burden, is very serious. The beginning begins with the voice of Salman Khan, where he is reading four lines written on the title ‘Kaagaz. The end also comes from Salman’s voice-over, as Salman is the producer and presenter, so this work came to him.
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There is a funny scene every ten to fifteen minutes, some laugh-out-loud scenes.
The screenplay is a two-to-one point. He is able to show the problem, focus on politics and maintain the light.
Imtiaz Hussain has worked very hard on #dialogs, so many dialogues are strong, some examples are: –
“Look, our news will be published in the newspaper, not in joke”
“If the mistake is rectified, you must accept that the mistake has been made.”
# Everyone has given his best in acting. The entire film is on the shoulders of Pankaj Tripathi and he did not give any chance to disappoint. He has not been here since his reformation, when Satish Kaushik calls himself a sailor, he speaks with a shoulder to shoulder with a tapak “Are you from Ayodhya again?”
Monal is very beautiful. His dialogue delivery is also very good. Pankaj and his chemistry are natural. The small role of Satish Kaushik is good, even the short scenes have become memorable. The story moves forward in his narration.
The role of Mita Vasistha is very important, MLA-Mita influences till the end. Fellow artists have also given their best.
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# The music of the film is Karnapriya. Praveen Malik has sung corruption of government office and compulsion of common man in music to the tune of folk songs. Kashmiri actress Sandipa Dhar is very beautiful in the item song ‘Lalam-Lal’.
# Kulmilkar ‘Kagaz’ is a film that brings out the truth not only of India, but also of modern India. How can bribery going on in government offices ruin the lives of some people; This shows. Some papers and some jokes have been written on this paper, but its climax is capable of giving you a deep shock. This 1.45 hour film is a watch. More films like this should be made.
A film like paper is just one example of how common Indian Sharif citizens are cheated not only by government offices but by the entire society as it is not read and written. Being illiterate becomes a debt to him whose interest is repaid next, then for the next and many generations to come.
It is very important to understand that there is no age to study, Bharatlal Charitra also teaches us that being illiterate is bad, but it has nothing to do with your intelligence, it is important to know new things, sharpen your intelligence is. Keep an edge and do not give up while we are alive. It is more valuable than any piece of paper.
