Rama (Ram Charan) is an orphan brought by not one, two or three but four orphans (played by Prashanth, Ravi Varma, Aryan Rajesh and Madhu Nandan). These orphans-to-riches, their four wives (Sneha, Himja Reddy and others) and their children are their worlds.
When Prashant (as Bhuvan Kumar) is posted as an election officer for the Vizag by-election, a fight with Pandam Parashurama (Mukesh Rishi) brings the hero into a direct confrontation with the powerful.
Even CM Akanksha Pandam Parasurama is being terrorized by our hero, CM of Bihar refrains from saying why Rama is a savior.
The second half connects the protagonist with Bihar and its main terrorist Raja Bhai (played by Vivek Oberoi).
‘VVR’ is the scene that defines the film like no other. Sneha’s character walks in a street to declare the belief that it is possible to end the era of Raja Bhai. Impressed, the villain’s gunmen are immediately in arms and ammunition against him. They threaten to inject bullets into her body. One place, same letter, same day, same time. After a few moments, our hero was riding on the road, stylishly riding a horse. But now, the villain’s personal militia is not in sight. They were angrily brandishing their sinister guns a while back, no? Why are they not in action when they need it the most? Boyapati Srinu discreetly (we are not even talking logic) after the scene in this way.
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“Anna, he alone has killed 300 of our people,” a goon told Raja Bhai in an earlier scene. Don’t ask when and how. The hero is an embodiment of the massacre. Boyapati simply says a number and tells us ‘Wow!’ Should be told. In the future, this figure may be increased to 1000, 2000, 3000. Unless the murders are depicted, a director is free to throw around any random number. It comes free.
Kuttymovies — the infamous piracy website — has once again leaked full movie on its website illegally. This time much-anticipated Vinaya Vidheya Rama has been leaked online by the torrent website. Considered as one of the biggest releases of December 2020, this online leak of Vinaya Vidheya Rama by Kuttymovies is going to be a big blow to the filmmakers when it comes to its box office collection.
This is the scene where the female activist named Puppy (played by comedian Hema) enjoys her daughter (Kiara Advani) being manipulated by our hero in the presence of her great family. Pappi usually gives Vijayashanti-style kangaroo justice to victims of rape and eve. For our protagonist, however, she proudly presents her daughter at the wedding. Later in a scene, Sneha’s character explains why the puppy is a perfect person. The scene reminded this reviewer of the kind of ridiculous explanations our directors give about their bizarre screenplays. Only the way they interpret, they can tell about the pathetic things they make.
Vivek Oberoi runs an ‘army’, which bombards army camps and summons the chief minister to his dock. Never mind that he doesn’t know how he can defend himself when it comes to the hero, who is equipped with Google Maps on a Netherlands-born horse. As a child, our legendary hero returned from school early to save his four elder brothers. Earlier, as a toddler, he cried at the right time to save four orphaned children from committing suicide and inadvertently became their all-time savior.
Some PET Sahab asked four brothers and their wives to make separate arrangements while staying at home. Each time, four women are seen together at one place and their husbands together, at some distance. Their children are always together in one place, most often with our hero. This is just one aspect of artificiality that mixes in the hero’s family.
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There was a time when our heroes were content with courageous legislators and ministers. Gradually, his adversaries started becoming CM aspirants and even CMs. In this film, Boyapati goes one step further. He has a protagonist who narrates a flashback not to the hero but to the hero’s family. If the objective of hero uplifting is here, why can’t he himself be the PM to recite flashbacks in a chartered flight and go back to the PMO? Please try it in one of your next films.
Excessive violence is the hallmark of the second half. Millions of men are turned into a pulp by our protagonists, whose Rambo-style avatar is unveiled, showing them in a conflicted manner.
Kiara Advani cannot be called a film’s liability. When the entertainment value of the film is in the negative, even the most worthless character may be slightly better than the negative. The songs of infiltration in an infiltration film are not too disturbing.
Ram Charan scratches the surface. His dances are excellent and the dialogue delivery works to an extent. Kiara’s talent is wasted. Sneha is good and Prashant over dramatic. Vivek Oberoi’s characterization is very old and his performance scores points. Mukesh Rishi, Harish Uttaman, Hema, Prudhavi and others are forgettable. Isha Gupta is devastated, while Priyadarshan is fine.
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